Riddim.ca

Dark DiscoHyperdub Archives

Interview: Plasticman

interview_plasticman

Plasticman is one of the leading dj/producers in the grime scene. Between running Terrorhythm Recordings, regularly playing on London’s Rinse FM, putting out a slew of tracks on a variety of labels, travelling the world, and studying music production at college, he is one very busy man, and is doing as much to promote this music throughout the world as anyone. Recently I linked up (through email) an interview with him.

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Interview: Kode9

interview_kode9

Courtesy of  Art of Beatz Radio: A rare interview with Dub technician / Hyperdub boss / Ccru konspirator Kode 9. Big shout to Kuma for this one. Kode 9 discusses his forthcoming book, sonic materialism and sound philosphy, the Hyperdub virus, cats and forthcoming releases.  Also, a big thank you to the Hyperdub Kru for their welcome note on the day of our launch, and for sending along Kode 9’s recent Babel Mix. If you haven’t heard it, it’s a monster. Get it now in the Mixes section.

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People

North (and South) American originators, circa 2004.

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Interview with Terror Danjah (2004)

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Eski Beat: An interview with Wiley – Part 2 (November 2003)

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Eski Beat: An interview with Wiley – Part 1 (October 2003)

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Robofunk: An interview with Plasticman (Autumn 2003)

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Slaughtered by Bass: S.L.T. Mob & M.Double (2003)

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Interview with Dizzee Rascal (2003)

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The Future Sound of. . . Croydon? (2002)

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Groove Chronicles: Civilization and its Discos – Part 2 (2002)

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Agent X (2002)

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Tribal Style : Big Apple’s DJ Hatcha (2002)

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Summer Maddness: the multiple identities of Zed Bias (2002)

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Yardcore: Horsepower style (2002)

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An Interview with Landslide (2002)

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We are…

Riddim.ca was founded by DJ/writer paul autonomic in February 2005 as a hub for North America's nascent grime and dubstep scenes. Since then we've helped promote events across the continent and made friends around the world. Mostly dormant now, we're host to one of the web's largest collections of writing on the late-Garage dis/continuum as well as a growing collection of rare audio and scans (coming shortly).